Although it has been labelled a ›musical‹, Thomas Hauert's creation 2006 does not follow the classical conventions that correspond to this genre. Mutually interacting movements, images and songs offer a translation, an echo or abstract commentary on a ›story‹ rather than a literal visualisation.

The text is written by Oscar van den Boogaard, an author using a non-linear writing style, combining
apparently unimportant events and small thoughts in collages to make sense on a deeper level. Like
thoughts in the human brain the main plot of his texts are crossing secondary lines or take unexpected shortcuts to end up with a very personal coherence.

After ›Verosimile‹, Thomas Hauert wanted to further investigate the phenomenon of singing and the relationship between singing and the human body. Some movements in the 2006 project are aimed at ›inflecting‹ the voice (by exerting force, tension, relaxation...), others should support the communication about the contents of the songs and refine the perception of the characters. These two kinds of movement are further elaborated and enhanced, forming as such one of the cornerstones of the choreography.