Paula Pau & Igor Meneses Sousa

01.09.2021

Igor Meneses & Paula Pau — Photo: Hartmut Bühler

Paula Pau: Eco Queerness – Eine Tanzrecherche zu Queerness und Natur

In queer bodies with their mutable and creative qualities, Paula Pau sees potential for a better grasp of the complexity and fluidity of nature. By questioning the traditional understanding of biology and cis-heteronormative views, in ›Eco queerness‹ Pau looks for the intersection between nature and queerness.

Igor Meneses Sousa: After Present - Schnittstellen von Angst und Queerness

Non-Western views of gender, trans-humanism and the permanent chaos of the Anthropocene age: In ›After present‹, Igor Meneses Sousa seeks to question issues of dehumanization of queer trans bodies and their relationship to colonialism’s historical demonization of queerness.

Insights into the #TakeCareResidency von Paula Pau

Paula Pau poses with her plants during her research while reading ›Earth Emotions: New Words for a New World‹ by Glenn Albrecht. — Paula Pau poses with her plants during her research while reading ›Earth Emotions: New Words for a New World‹ by Glenn Albrecht, Photo: Igor Meneses Sousa, Paula Pau

Paula Pau writes down her thoughts after reading different books. — Paula Pau writes down her thoughts after reading different books, Photo: Igor Meneses Sousa, Paula Pau

Paula Pau poses for the camera while taking notes for her research ›Eco Queerness‹. — Paula Pau poses for the camera while taking notes for her research ›Eco Queerness‹, Photo: Igor Meneses Sousa, Paula Pau

Insights into the #TakeCareResidency von Igor Meneses Sousa

Igor Meneses poses at their bedroom studio while exploring sound design during their #TakeCare residency, Photo: Igor Meneses Sousa, Paula Pau

Igor Meneses sings one of the lullabies written during their research process for ›After Present‹ at their bedroom studio, Photo: Igor Meneses Sousa, Paula Pau

Igor Meneses reads ›Cruising Utopia‹ by José Estaban Munoz at their apartment's balcony. — Igor Meneses reads ›Cruising Utopia‹ by José Estaban Munoz at their apartment's balcony, Photo: Igor Meneses Sousa, Paula Pau

On Stage Residencies

Throwback ›Memories & Resistance‹

Current and former residents at PACT provided insights into artistic working processes. With Idylla Silmarovi, Edgar Kanakykõ Xakriabá, iSaAc Espinoza Hidrobo, Roman Jungblut and Qusay Awad.

Residencies

Ein Gruppenfoto mit vier Personen mit Theaterstrahlern leicht von unten angeleuchtet, Bemalungen im Gesicht, in einem Raum mit weißen Vorhängen an den Wänden, Äste und Gestrüpp hinter der Gruppe arrangiert

#ResidencyInsights Kukily Colectivo

»Our residency at PACT was an exciting and intense period of work on our new project XTRÆNCESTRAL, set to premiere at the Lagos Biennial in February 2024. It was also a time to come together and work on our body-based performance practice, after several years of long-distance artistic processes.«

Residencies

Ein Eiswürfelform gefüllt mit Erde aus der Kabel in verschiedenen Farben ragen und die Fächer der Eiswürfelform miteinander verbinden

#ResidencyInsights bacilli

»bacilli (Shotaro Yoshino, Yoshitaka Nanjo & James Jack; based in the archipelago of Japan) listen closely to the energy of microorganisms inside the soil in Zollverein—what do these bacteria inside of land say to us? In this residency we layered geological research on coal memories, oral histories with residents in Ruhr on what gives them energy today and connecting power circuits with imaginative thinking.«

Residencies

Raz Slavarito mit bunter Projektion auf dem Gesicht

Retrospektive: Residency Café Plants & Memories

Changing memories of weather phenomena or plants as sources of food and reservoirs of knowledge: the open Residency Café ›Plants & Memories‹ offered insights into the work of resident artists Razcel Jan Salvarita and aniara rodado.

Residencies

En Skater spring mit seinem Skateboard über eine liegende Person im Flur von PACT Zollverein

#ResidencyInsights Márcio Kerber Canabarro

»When I grasp an environment is acknowledging me, I feel a strong sense of continuation, (and extension) of belonging. It might be a mutual process, where my focus gets curious to notice where I am, the place, the situation, the density of a particular room, the feelings that rise and the sensations that leave...«

Residencies

Sahar sitzt auf einem grünen Samtsofa und schaut mit dem Kopf auf die Hand gestützt in die Kamera.

#ResidencyInsights Sahar Damoni

Sahar Damoni’s new work is a multi-disciplinary solo performance installation which continues her research around reproductive and sexual freedom, bodily autonomy, and the impact of abortion for Arab women. The work will combine movement, photography and video projection and textiles that serve as a visual art element.

Residencies

Emmanuel Ndefo hockt vor einer Leinwand mit einer Fotografie von einem performenden Mann

#ResidencyInsights Emmanuel Ndefo

»Adamma- ›The Passage‹ is a solo performance based on the 'Adamma' maiden spirit ritual, touching on forms of transgression and of shape shifting through embodiment and African ancestral spirituality. In this work, I will explore Igbo maiden spirit rituals of crossdressing, transsexualism and transvestism as subversive places, where the notion of subjectivity is challenged, where gender norms are questioned, and where identity is always perceived as capable of construction, invention and change.«

Residencies

Koloto Siraji in einem weißen Anzug auf einer schwarzen Bühne im Lichtkegel

#ResidencyInsights Koloto Siraji

»During my residency at PACT, I was questioning the nature of a living body from the perspective of an African. This involved reflecting on my own childhood traumas and transgenerational conflicts as well as looking at an African body as an archive of transgenerational history. How do I contain the energies that were passed on to me by my ancestors? How do I live with past traumas in the present?«

Residencies

Die Performer:innen sitzen mit bedeckten Gesichtern auf einer roten Samtcouch

#ResidencyInsights María Mercedes Flores Mujica, Constanza Javiera Ruiz, Brigitte Huezo & Hendrik Eichler

Our residency in PACT was the second rehearsal period for the production ›What, Where, When are we?!‹ a work that sets out to explore the question of whether identity is rooted in one space and time. It is a rhythmical approach to transnational and multidimensional embodied experiences. Four performers on stage, live drums, and radio stations create sound layers that interweave with body memories.

Residencies

Val Souza während des Showings bei PACT Zollverein

#ResidencyInsights Val Souza & Guego Anunciação

Continuing the investigation and convening different and varied sources of archives of iconographies of black women, Venus articulates the extensive selection of gestures present in the images and representations of black women of different origins and times, as well as Val Souza's own self-portrait, that she has been collecting in what she has been calling the Venus archive about 5,000 thousand images, 2,000 self-portraits that can be a source of analysis about possible similarities in the way black women are portrayed and represented.

Residencies

caner teker during their residency at PACT Zollverein

#ResidencyInsights caner teker

»After ›KIRKPINAR‹ & ›karadeniz‹, my new research on queer androgynous belly dancers called ›köçek‹ will conclude in a trilogy about the trans-individualist self beyond identity politics. Death, mourning and its affects continue my motivation in inviting witnesses to a shared experience of a temporary community in the black box.«

Residencies

Wezile Harmans perfroming in front a red light

#ResidencyInsights Wezile Harmans

»›The Body. The Voice.‹ is a series performance work that studies the development of a human body. The work focuses on the body's relationship with familiar and unfamiliar spaces. The work is divided into 3 scenes using video, live performance and installation. These scenes take us through to lived experiences and tragic events that occurred/occurring across the world, how the body finds itself to adopt, evolve and immense itself through these uncomfortable and difficult trials.«

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